YES, Stillmation does still exist 🙂
YES, I’m still keeping busy.
YES, You can still contact me for all your B2B photography needs.
YES, I have moved the company address and studio.

The truth is, All the work I’ve been doing has been generated by word of mouth and through social media. Incredible really but no excuse for not having your shop window regularly updated.

Obviously 2020 was a washout. For me too, things have picked up in 2021 and I’m also part of 2 other big entrepreneurial adventures.
So much to tell, so much to show.
Drop me a line to get in touch if you haven’t already.

Keep safe.
Rob
Stillmation since 2006 and still going strong.

We’ve all done it, sit in a bar and fiddle with the beer mats. Inventing new things with them, ripping bits off them.

Then along came Vedett with the idea of making the coasters into construction coasters! No more ripping, just constructing.
I shot this as part of their campaign to get them launched into the media.

 

 

 

 

What kit should you always have in your camera bag?

Besides the obvious, Cameras, lenses and memory cards belong in there.

THIS should be in there. A pack of Pritt Poster Buddies. You need something to not roll of a table, you need to stand up a small bounce card, you need to stick a piece of paper on flash to modify the light? The list of uses goes on.

Just get a pack and see for yourself. You’re welcome.

It’s been a long time since I’ve actually made photos of a person in a studio situation. Far too long!

A last minute call and the mobile studio was on the way to make some images of Evy Gruyaert for an Energylab Start2Run campaign.

The resulting poster was for a contest that would be seen in ‘Abribus‘ bus shelters and shopping centres all over Flanders.

Some iPhone shots of the posters in the wild. (thanks to Bart for the images 🙂 )

Animated image for the social media campaign.

 

A Lightroom crop of the final image before the layout was made. I’ve used the Nikon D850 and Elinchrom ELB400 setup on location maybe times, this was the first studio shoot situation with that camera and flash combo. I love it. 

Client: Energylab

 

Packshots of products are essential in all industries, the beer world is no exception. Some photographers don’t like doing them as it can mean solitude in the studio. Alongside being out and and shooting beer in the lifestyle settings, I enjoy those studio moments, they are a good break from the rest of the work I do and present a lot of new challenges.

The beer work I do for example, I only ever use the real beer. I don’t fake the foam by whisking egg whites or using anything synthetic, I like to show the real product. The same for the bottles and glassware, they are real products, not renders and not processed so hard that the surface structure of the glass is processed away. ‘Photoshop’ mockups have their place, but when selling your product. Every beer is different, foam structure varies, stability of foam, bubble variation, beer colours, clarity, temperatures. The bottles and glasses are all different, often causing lighting issues and challenges. Not one setup suits all in this world.  In other words, I make things difficult for myself but I believe that nothing beats the real deal. After all, I enjoy drinking the real deal too 😉

Here’s a set of shots made  few weeks ago for a client. Each product is treated as an individual and each one has it’s own character. I don’t like to shoot one bottle and then rely on post processing to add 5 different labels. It can be done, but either wisely, or stupidly, I prefer to keep the individual character. The same for the post processing. I work with a top post processor and he doesn’t take things to extremes either, sharing my idea that a bottle should still look like glass when printed 3 metres tall and a beer should look like you want to grab it and slurp it down.

Client: Alken-Maes
Postprocess: Redhouse

 

A couple of details.

Bottles are glass, that glass is always slightly imperfect, the light plays with the surface and I like to leave it that way.
The slight paper edge that’s visible. It could also be processed away but it’s real, it’s not disturbing so it can stay.

 

To me, beer photography is about beer, not fake beer. Beer foam, the head is a characteristic of the product and is always a variable. Some beers have very easy-to-work-with foam with great stability and bubble density, others are very hard to work with. It’s all par for the course though if you want to keep things real.